This week on End Credits, we won’t say “It’s alive!” Our movie this week is ambitious, and it clearly has a lot to say, but how well it says it has been a matter of taste, and opinion. Regardless, on this show we will give our own thoughts on The Bride! and we will also talk about who we think should score one of those little gold men at a certain awards show…
This Wednesday, March 4, at 3 pm, Adam A. Donaldson and Peter Salmon will discuss:
If We Picked the Winners! This coming Sunday is Oscar night! The 98th annual Academy Awards has been a battle between Sinners and One Battle After Another for Best Picture, and a pitched battle between various different categories among other nominees, and while we don’t know the future, we can certainly talk about who we think should win in all the various categories Just like Siskel & Ebert used to do, we will pick the winners we’d vote for.
REVIEW: The Bride (2026). Released in the 1930s, The Bride of Frankenstein is iconic, but would you be surprised to learn that The Bride herself is basically in only the last five minutes of the movie? Director Maggie Gyllenhaal makes The Bride her central focus in the movie of the same name, this time played by likely Oscar-winner Jessie Buckley as a gangster’s moll turned feminist revolutionary and icon in 1930s Chicago. With Christian Bale as The Monster by her side, can this Bride! write her own story, and can Gyllenhaal cash her first blank cheque?
Photo courtesy of Warner Bros.
End Credits 
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