Author: Adam A. Donaldson

When he’s not the main/only contributor to Guelph Politico, Adam A. Donaldson also contributes to GuelphToday.com as their city hall columnist and co-hosts a political and current affairs show on CFRU 93.3 fm called “Open Sources Guelph" as well as the movie review show "End Credits."

End Credits Show Notes for Wednesday April 13, 2022 (Episode #243)

This week on End Credits, we look to the sky! Ever notice how the Moon’s just hanging up their daring us to visit? Well, there was a time humans went to the moon, and this week’s featured movie is a loving remembrance of that particular era. We’re reviewing the latest Netflix hit, Apollo 10 1/2: A Space Age Childhood and we’re talking about other trips to the Moon. Continue reading “End Credits Show Notes for Wednesday April 13, 2022 (Episode #243)” →

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End Credits Show Notes for Wednesday April 6, 2022 (Episode #242)

This week on End Credits, we’ve got an appetite. Under the themes of food and desire, we will review a movie that checks both of those boxes in the new film Fresh, which is is now streaming on Disney+. Before that, we will pay tribute a Hollywood actor whose decided to take his final bow and retire even though is production output has never been higher. Continue reading “End Credits Show Notes for Wednesday April 6, 2022 (Episode #242)” →

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End Credits Show Notes for Wednesday March 30, 2022 (Episode #241)

This week on End Credits we’re reliving past successes. For our feature review on this week’s show, we’re looking at one of the biggest high-profile remakes of the last few years – almost Oscar-worthy – Guillermo del Toro’s Nightmare Alley. And before that, we will kick off the theme by looking at other good movies that are equal to, or better, than the original versions. Continue reading “End Credits Show Notes for Wednesday March 30, 2022 (Episode #241)” →

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End Credits Show Notes for Wednesday March 23, 2022 (Episode #240)

This week on End Credits, we’re going to find out what people really think. In the first part of the show, we’re going to talk to the director of an indie horror movie made in Wellington County and find out what scares him. For the review, we’re going to get inside the heads of three people caught in a hostage situation, likely for production during COVID reasons. Continue reading “End Credits Show Notes for Wednesday March 23, 2022 (Episode #240)” →

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End Credits Show Notes for Wednesday March 16, 2022 (Episode #239)

This week on End Credits, we’re growing up! Not really. In fact you could say that we’re embracing the kid stuff given the fact that this week’s review is fresh out of the Disney/Pixar myth-making machine. We’re going to review Turning Red on Disney+, and along with that we will talk about some of our favourite coming-of-age movies that you can stream in other places. Continue reading “End Credits Show Notes for Wednesday March 16, 2022 (Episode #239)” →

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End Credits Show Notes for Wednesday March 9, 2022 (Episode #238)

This week on End Credits we’re going back to a time of social tumult and high gas prices. History comes around again in Licorice Pizza, the Academy Award-nominated new film from acclaimed director Paul Thomas Anderson. Before that, staying in the worlds of the man called PTA, we will consider some of the greatest characters he’s ever created. Continue reading “End Credits Show Notes for Wednesday March 9, 2022 (Episode #238)” →

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End Credits Show Notes for Wednesday March 2, 2022 (Episode #237)

This week on End Credits, the horror continues. We pass from Ghostface to Leatherface as we warm up the Netflix machine to check out another horror legacy-sequel in the form of Texas Chainsaw Massacre (no The). Before getting into that, we will head back to Gotham City on this Batman eve to talk about all the other movies that bear his name, and rank them! Continue reading “End Credits Show Notes for Wednesday March 2, 2022 (Episode #237)” →

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End Credits Show Notes for Wednesday February 23, 2022 (Episode #236)

This week on End Credits, things are getting stabby. Get the popcorn ready, sharpen your knife, and slip on your Ghostface mask, because this week we’re heading back to horror town for some more meta-textual movie commentary with Scream 5, or rather just Scream. Unfortunately, there’s also some real-life death to talk about, in this case a famous Canadian director. Continue reading “End Credits Show Notes for Wednesday February 23, 2022 (Episode #236)” →

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End Credits Show Notes for Wednesday February 16, 2022 (Episode #235)

This week on End Credits, we’ve got gold on the mind. Oscar gold. This year’s nominations were announced last week, and in a timely bit of synchronicity we’re reviewing one of the nominees. We’re checking out Netflix’s excellent new drama The Lost Daughter, and before that we’re talking about the movies that did, and did not, get nominations. Continue reading “End Credits Show Notes for Wednesday February 16, 2022 (Episode #235)” →

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End Credits Show Notes for Wednesday February 9, 2022 (Episode #234)

This week on End Credits, are you ready for some good, old fashioned fun? Jackass, and the comedy there in, may not be to your taste (emphasis on “taste|), but it is a verifiable phenomenon, and now its back in a theatre near you with Jackass Forever. Before that, one of our co-hosts will choose what he thinks are the quintessential Jackass gags (emphasis on “gags”). Continue reading “End Credits Show Notes for Wednesday February 9, 2022 (Episode #234)” →

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