During our November episodes, the End Credits gang revealed their Top 5 of 1999, a year that changed movies with a large number of new, unique and challenging films. It was a bumper crop that year with something for everyone, and if there’s a testament to that fact it’s the veritable potpourri that is the varies lists for our Best of ’99 series. Continue reading “The Complete List of Top 5s from 1999”
This week on End Credits, things are getting unsettling. We’re going to review the new film The Lighthouse, and talk about why it disturbs us deeply. Before that though, we’re going to wrap up out Best of 1999 series, and kick off a new series chronicling the very best of the past decade. So drink up me hearties, yo-ho!
Continue reading “End Credits Show Notes for Wednesday November 6, 2019”
This week on End Credits, we dig into a bit of Hollywood history, and a bit of Hollywood’s future. We’re reviewing the true life tale of Dolemite is My Name, and looking once more at the best movies of 1999. We’re also going to ask if Hollywood is getting a bit too comfortable with certain box office conditions, and we’ll get into the latest twists around the Marvel question. Continue reading “End Credits Show Notes for Wednesday October 30, 2019”
This week on End Credits, we catch up with some old friends: Columbus, Tallahassee, Wichita, and Little Rock. No, we’re not planning a road trip, we’re reviewing the Zombieland sequel. We’re also going to talk about the new upcoming Matrix movie, some new trailers, and we’ll hear from our next panelist on their Top 5 of 1999! Continue reading “End Credits Show Notes for Wednesday October 23, 2019”
This week on End Credits we send in the clowns. Or rather one clown. This week we’re going to try and get past the controversy and craziness and review the new movie, Joker. We’re also going to start our series dedicated to 1999, and look at a couple of new trailers released this week, and we’re going to talk about everyone’s favourite topic, copyright law! Continue reading “End Credits Show Notes for Wednesday October 9, 2019”
This week on End Credits, we get a bit tied up with what’s come before, but that doesn’t mean we’re going be bound by nostalgia. If you liked these double entendres, then you’re going to love our review this week, Fifty Shades Freed. In the more PG realm of things, we talk about all those trailers that came out during, and after, the Super Bowl last week, why 1999 is still the best, and why you shouldn’t, maybe, get rid of those DVDs just yet. Continue reading “End Credits Show Notes for Thursday February 15, 2018”