A local movie show for local movie fans.
This week on End Credits, hold on your butts. No, seriously, because it’s going to be numb by the end of the three-and-a-half hour running timing of this week’s movie, The Irishman. We’ll talk about that epic mob drama, and we’ll wrap up the Best of the Decade series with a double dose! Continue reading “End Credits Show Notes for Wednesday November 27, 2019”
This week on End Credits, things are going to get dark. But Christmas is coming, you say! Pfft. Tell that to all these horror trailers, and upcoming scary movies, and also tell it to Bong Joon Ho. We’re going to review the movie that won Cannes, and now the art house, and we’re going to look at new trailers, a PG-13 rated horror, and Peter’s Best of the Decade! Continue reading “End Credits Show Notes for Wednesday November 20, 2019”
This week on End Credits we get into a holiday mood. Our review is the perhaps too early release of Last Christmas, a rom-com based on a George Michael song about death and stuff. Speaking of death, it’s no longer a barrier to casting, and at least one person is willing to call for an end to Disney. Plus, the best of the decade continues… Continue reading “End Credits Show Notes for Wednesday November 13, 2019”
This week on End Credits, things are getting unsettling. We’re going to review the new film The Lighthouse, and talk about why it disturbs us deeply. Before that though, we’re going to wrap up out Best of 1999 series, and kick off a new series chronicling the very best of the past decade. So drink up me hearties, yo-ho!
Continue reading “End Credits Show Notes for Wednesday November 6, 2019”
End Credits 