This week on End Credits, we’re ambitious! We do love a passion project on this show, and on this episode we’re serving up thoughts on two of them, one new and one old. In the ‘new’ category, we’ve got the latest movie from the vanguard of the New Hollywood movement, and from the ‘old’ file, we’ve got the greatest hit from the head of the 90s indie movement. Get ready for Megalopolis and Pulp Fiction!  Continue reading “End Credits Show Notes for Wednesday October 2, 2024 (Episode #359)” →