End Credits Show Notes for Wednesday August 19, 2020

This week on End Credits, we’re getting ready to say goodbye to summer. This week’s movie review takes us to the cold, drab island off the coast of Chile where nothing ever good happens, which is a solid message for the end of August in a pandemic. We’re talking about Nobody Knows I’m Here, and we’re looking back at the best summer blockbusters of yester-year. Continue reading “End Credits Show Notes for Wednesday August 19, 2020”

End Credits Show Notes for Wednesday August 5, 2020

This week on End Credits, we’re going to enjoy a taste of summer as usual, still watching movies at home, but watching movies that best suit a summer’s day at the multiplex. On this episode, we’re going to review The Old Guard, which is the Netflix version of a summer blockbuster, and before that, we’re going to look at all the potential blockbusters Spielberg never made. Continue reading “End Credits Show Notes for Wednesday August 5, 2020”

End Credits Show Notes for Wednesday July 15, 2020

This week on End Credits we enter a realm of the mysterious and the unknowable where only the stars have the answer you seek. If you think that’s over-the-top wait until you see the subject of this week’s review, which is entitled Mucho Mucho Amor: The Legend of Walter Mercado. We’ll have that, and we’ll also kick-off our latest listicle series featuring a very famous “Steven.” Continue reading “End Credits Show Notes for Wednesday July 15, 2020”

End Credits Show Notes for Wednesday June 10, 2020

This week on End Credits, we’re kind of in a celebratory mood despite the pandemic. This week, we’re delivering our 150th episode, and we’re unofficially kicking off season four of the show. For this timely occasion, we have a timely movie, and it’s French-Canadian too. On this show, we’re going to review The Decline, and we’re also going to talk about what we’ve learned from the first 150 episodes of the show. Continue reading “End Credits Show Notes for Wednesday June 10, 2020”

End Credits Show Notes for Wednesday April 8, 2020

This week on End Credits, we’re going to fire up the Netflix machine and press play on a movie that might have missed our attention if the movie theatres were still open. This week, we’re going to get into the teen drama (and COVID-free) All the Bright Places, and we’re going to do a run down of where all your most-anticipated movies have moved on the release calendar. Continue reading “End Credits Show Notes for Wednesday April 8, 2020”

End Credits Show Notes for Wednesday September 18, 2019

This week on End Credits, we’re going to talk about how we survived TIFF even though we didn’t actually attend this year. Still, that film festival has heavily influenced our slate this week, with a review of Hustlers, and some discussion about the movies with the buzz post-festival. Also, we’re going to talk about the new terms in the streaming wars, Jim Cameron’s kingly ambitions.  Continue reading “End Credits Show Notes for Wednesday September 18, 2019”

End Credits Show Notes for Wednesday June 5, 2019

This week on End Credits things are going to get meta. What happens when you take the story of the world’s greatest superhero and make him a bad guy? We’ll find out when we watch Brightburn. Speaking of bad guys, we’ll talk about Hollywood’s battle against new abortion laws,  and the lost meaning of Godzilla. Also, we’ll also discuss being Booksmart and what Harrison Ford is mad about now.  Continue reading “End Credits Show Notes for Wednesday June 5, 2019”

End Credits Show Notes for Wednesday May 22, 2019

This week on End Credits if you want peace, prepare for war. The war, of course, is not ours, but rather it’s the latest entry in the John Wick franchise. We’ll review Parabellum, and we’ll talk about the wonderfully eclectic career of its star Keanu Reeves. We’ll also talk about the return of James Gunn, the business dangers facing Netflix, and Game of Thrones anger. Continue reading “End Credits Show Notes for Wednesday May 22, 2019”

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