End Credits Show Notes for Wednesday April 8, 2020

This week on End Credits, we’re going to fire up the Netflix machine and press play on a movie that might have missed our attention if the movie theatres were still open. This week, we’re going to get into the teen drama (and COVID-free) All the Bright Places, and we’re going to do a run down of where all your most-anticipated movies have moved on the release calendar. Continue reading “End Credits Show Notes for Wednesday April 8, 2020”

End Credits Show Notes for Wednesday September 18, 2019

This week on End Credits, we’re going to talk about how we survived TIFF even though we didn’t actually attend this year. Still, that film festival has heavily influenced our slate this week, with a review of Hustlers, and some discussion about the movies with the buzz post-festival. Also, we’re going to talk about the new terms in the streaming wars, Jim Cameron’s kingly ambitions.  Continue reading “End Credits Show Notes for Wednesday September 18, 2019”

End Credits Show Notes for Wednesday June 5, 2019

This week on End Credits things are going to get meta. What happens when you take the story of the world’s greatest superhero and make him a bad guy? We’ll find out when we watch Brightburn. Speaking of bad guys, we’ll talk about Hollywood’s battle against new abortion laws,  and the lost meaning of Godzilla. Also, we’ll also discuss being Booksmart and what Harrison Ford is mad about now.  Continue reading “End Credits Show Notes for Wednesday June 5, 2019”

End Credits Show Notes for Wednesday May 22, 2019

This week on End Credits if you want peace, prepare for war. The war, of course, is not ours, but rather it’s the latest entry in the John Wick franchise. We’ll review Parabellum, and we’ll talk about the wonderfully eclectic career of its star Keanu Reeves. We’ll also talk about the return of James Gunn, the business dangers facing Netflix, and Game of Thrones anger. Continue reading “End Credits Show Notes for Wednesday May 22, 2019”

End Credits Show Notes for Wednesday March 27, 2019

This week on End Credits, it’s us, and it’s not us. Maybe it’s both. Who can say if we are who we say we are, or if we’re shadows of ourselves tethered to another reality? And if this preamble means nothing to you, then you weren’t part of the record breaking audience for Us this past weekend. We’ll review Jordan Peele’s latest, and talk about some other movie stuff, new films in production, and new trailers.  Continue reading “End Credits Show Notes for Wednesday March 27, 2019”

End Credits Show Notes for Wednesday March 13, 2019

This week on End Credits, we’ll call up AltaVista on AOL and download a Quicktime over dial up for directions to the mall to get a few grunge CDs… If this 90s overload isn’t an indication, we’ll come right out and say we’re reviewing Captain Marvel this week. We’re also going to engage in the ongoing debate about cinema vs streaming, and do a little video store nostalgia before talking about superhero movies, the ones coming out soon, and the ones that are not. Continue reading “End Credits Show Notes for Wednesday March 13, 2019”

End Credits Show Notes for Wednesday February 27, 2019

This week on End Credits, we’re going to fight that Oscars hangover to talk about who won what, and what we think about it. We’ll dedicated some time to our Oscars recap, and then we’ll move on to the aftermath, and what impact streaming services will have on awards season in the future. We’ll also talk about the best movie scores according to Pitchfork, and we’ll wrap up with a review of a rare non-Avatar related James Cameron project. Continue reading “End Credits Show Notes for Wednesday February 27, 2019”

End Credits Show Notes for Wednesday February 6, 2019

It’s another week on End Credits, your friendly neighbourhood film criticism show that’s happy and not pretentious at all. Speaking of pretentious, we get into the snooty art world of Velvet Buzzsaw this week. We also get into the mind of a Hollywood master of transformation, and we get into the minds of the people running the DC movie universe. We also talk about the world of streaming, and whether Netflix is evil, or at least Canadian evil. Continue reading “End Credits Show Notes for Wednesday February 6, 2019”

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