This week on End Credits, we work our way towards the end of the year by talking about one of the year’s best films. (At least according to some critics.) We’ll turn on Netflix again to watch Alfonso Cuarón’s new film, Roma, an entry that will likely be discussed very often with Oscar season coming. Of course, the Oscars, and their lack of host, are still top of mind. We’ll talk about that, film preservation, and women in film before the review. Continue reading “End Credits Show Notes for Wednesday December 19, 2018”
This edition of End Credits will be filled with the spirit of Christmas. We’re reviewing what might be the new holiday classic, Netflix’s The Christmas Chronicles, but in the news, it’s the slings and arrows of awards season that has us concerned. We’ll talk about the Golden Globe nominations, and the quick tenure of a new Oscar host. We’ll also mark a notable anniversary, and why remakes are not necessarily Child’s Play. Continue reading “End Credits Show Notes for Wednesday December 12, 2018”
This week on End Credits, we’re dressed to kill! We’ll, we’re actually dressed to watch Jennifer Garner kill, and kill she does in Peppermint, a new vengeance-fueled thrill ride from the guy that made Taken. Speaking of payback, we’ll also talk about the return of a supposedly washed up sitcom star, no more popular Oscar, and toxic fandom. We’ll also talk about a captain we’re all eager to salute!
Continue reading “End Credits Show Notes for Wednesday September 12, 2018”
It may not be safe to go back into the water on this week’s End Credits… Yup, we’re reviewing the new giant killer shark movie The Meg, which may or may not be the perfect late summer movie. We’ll also tackle some of the pressing pop culture news of the week, including award show controversies, a new spy (maybe), an old classic has a birthday, and what you might be watching after midnight this September at TIFF. Continue reading “End Credits Show Notes for Wednesday August 15, 2018”