This week on End Credits, we find a good Rip. In fact, it’s a Rip of a Rip, one of the greatest Rips you will ever see. Boy howdy, are we using the word “Rip” a lot in the new Netflix movie The Rip, which is the title were reviewing today. In other news, we will continue with our celebration of Black Heritage Month by doing a deep dive on another great Black director.
This Wednesday, February 18, at 3 pm, Adam A. Donaldson and Tim Phillips will discuss:
Black Heritage Month Special: The Movies of Antoine Fuqua. We’ve done the legend, we’ve done the indie darling, and now we’re doing the populist. Antoine Fuqua started in music videos and graduated to features with the little-seen The Replacement Killers, but his breakthrough was Training Day, which scored Denzel Washington his second Oscar. Washington, one of Fuqua’s regular contributors. also led the other move we’ll talk about, The Magnificent Seven.
REVIEW: The Rip (2026). Based on a true store about Miami cops that found $20 million in drug money hidden in the walls of a home, The Rip takes things in a decidedly dingy direction, a morality play in the best tradition of Narc filmmaker Joe Carnahan. In this one, Ben Affleck and Matt Damon lead of a team of overworked, underpaid cops who find $20 million in a wall, and then all hell breaks loose. Who can they trust? Can they trust each other? A low stakes, high drama crime movie is the epitome of a “Dumpuary” classic, but can The Rip get us there?
End Credits is on CFRU 93.3 fm and cfru.ca Wednesday at 3 pm.
Photo courtesy of Netflix.
End Credits 
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