A local movie show for local movie fans.
This week on End Credits, we’re going to engage in some light Satanism, and by light we mean “lighthearted” because the first name in comedy everyone thinks of is the Devil. So we’re going to check out Satanic Panic, which is now streaming on Shudder, and we’re also going to kick off a new multi-part list that will keep you coming back for more (hopefully). Continue reading “End Credits Show Notes for Wednesday April 29, 2020”
This week on End Credits, let’s fall in love. Once again recording from our mutual isolation, we will take a look at one of the last movies to come out in theatres before quarantine, the Jane Austen adaptation, Emma. Before that, with what is normally the summer movie season almost here, we will look at some of the past summer movies that should have been bigger hits. Continue reading “End Credits Show Notes for Wednesday April 22, 2020”
This week on End Credits, it’s all about the music. And real life. We’re going to get into some smooth jazz with a biography of the late, great Miles Davis in Birth of the Cool, and before that we’re going to talk about 10 documentaries with scary themes, you know, because there’s not enough to worry about in these coronavirus afflicted days. Continue reading “End Credits Show Notes for Wednesday April 15, 2020”
This week on End Credits, we’re going to fire up the Netflix machine and press play on a movie that might have missed our attention if the movie theatres were still open. This week, we’re going to get into the teen drama (and COVID-free) All the Bright Places, and we’re going to do a run down of where all your most-anticipated movies have moved on the release calendar. Continue reading “End Credits Show Notes for Wednesday April 8, 2020”
Welcome back, everyone! We know that you haven’t gone anywhere, but we sure did. After a self-imposed self-isolation, End Credits is back on the air with a brand new episode in our pre-post-pandemic era. In a rare appearance by all the panelists on the same show, we’re going to recap our own independent watchlists in our own private theatres at home. Continue reading “End Credits Show Notes for Wednesday April 1, 2020”
This week on End Credits, we’re going to discuss the healing power of basketball in the new drama The Way Back. In the news, things are much spicier with discussion about pandemics, representation, and why the Rob Ford movie might not be able live up to reality. Somewhere in between, we’re going to talk about porno! So now that we have your attention… Continue reading “End Credits Show Notes for Wednesday March 11, 2020”
This week on End Credits get ready for a live-affirming, bittersweet journey into art and romance with the acclaimed French film Portrait of a Lady on Fire. In the news, we’ll talk about good old American franchises: What happens to Disney with a new boss? What happens to Indiana Jones without Spielberg? And what’s going on with Lizzie Maguire and iPhones? Read on! Continue reading “End Credits Show Notes for Wednesday March 4, 2020”
This week on End Credits, it’s Nazi to see you again! That’s the kind of terrible joke that you won’t find anywhere near the Oscar-winning Jojo Rabbit, which is this week’s review. We’re also going to talk about Sonic’s facelift, the return of The Hunt, new trailers, and this novel idea that filmmakers should have more creative freedom, even when working on franchise films! Continue reading “End Credits Show Notes for Wednesday February 26, 2020”
This week on End Credits, we’re going to pause our regularly scheduled production to salute some of the big Oscars winners from this year’s awards. It was last week that the hardware was handed out, and on today’s show we’ll revisit our original thoughts on Joker and Once Upon a Time in Hollywood, which won acting awards, and Parasite, which the big prize! Continue reading “End Credits Show Notes for Wednesday February 19, 2020”
This week End Credits is golden because we’re deconstructing Oscar night, which was full of surprises just not necessarily on the basis of who was going to win the awards. We’re also going to talk about some new trailers, and the passing of Kirk Douglas, and for our movie review this week, it’s a gloriously fun flick with a horribly long and exaggerated title. Continue reading “End Credits Show Notes for Wednesday February 12, 2020”
End Credits 