This week on End Credits, hold on your butts. No, seriously, because it’s going to be numb by the end of the three-and-a-half hour running timing of this week’s movie, The Irishman. We’ll talk about that epic mob drama, and we’ll wrap up the Best of the Decade series with a double dose! Continue reading “End Credits Show Notes for Wednesday November 27, 2019”
End Credits Show Notes for Wednesday November 20, 2019
This week on End Credits, things are going to get dark. But Christmas is coming, you say! Pfft. Tell that to all these horror trailers, and upcoming scary movies, and also tell it to Bong Joon Ho. We’re going to review the movie that won Cannes, and now the art house, and we’re going to look at new trailers, a PG-13 rated horror, and Peter’s Best of the Decade! Continue reading “End Credits Show Notes for Wednesday November 20, 2019”
End Credits Show Notes for Wednesday November 13, 2019
This week on End Credits we get into a holiday mood. Our review is the perhaps too early release of Last Christmas, a rom-com based on a George Michael song about death and stuff. Speaking of death, it’s no longer a barrier to casting, and at least one person is willing to call for an end to Disney. Plus, the best of the decade continues… Continue reading “End Credits Show Notes for Wednesday November 13, 2019”
End Credits Show Notes for Wednesday November 6, 2019
This week on End Credits, things are getting unsettling. We’re going to review the new film The Lighthouse, and talk about why it disturbs us deeply. Before that though, we’re going to wrap up out Best of 1999 series, and kick off a new series chronicling the very best of the past decade. So drink up me hearties, yo-ho!
Continue reading “End Credits Show Notes for Wednesday November 6, 2019”
End Credits Show Notes for Wednesday October 30, 2019
This week on End Credits, we dig into a bit of Hollywood history, and a bit of Hollywood’s future. We’re reviewing the true life tale of Dolemite is My Name, and looking once more at the best movies of 1999. We’re also going to ask if Hollywood is getting a bit too comfortable with certain box office conditions, and we’ll get into the latest twists around the Marvel question. Continue reading “End Credits Show Notes for Wednesday October 30, 2019”
End Credits Show Notes for Wednesday October 23, 2019
This week on End Credits, we catch up with some old friends: Columbus, Tallahassee, Wichita, and Little Rock. No, we’re not planning a road trip, we’re reviewing the Zombieland sequel. We’re also going to talk about the new upcoming Matrix movie, some new trailers, and we’ll hear from our next panelist on their Top 5 of 1999! Continue reading “End Credits Show Notes for Wednesday October 23, 2019”
End Credits Show Notes for Wednesday October 16, 2019
This week on End Credits, two is better than one. Why have just one Will Smith, when you can have two, and that’s pretty much the entire point of Gemini Man, which is this week’s review. We’re also going to talk about why everyone’s hating on the MCU, why there might be more Joker in the future, and we’ll talk about Peter’s Top 5 from 1999. Continue reading “End Credits Show Notes for Wednesday October 16, 2019”
End Credits Show Notes for Wednesday October 9, 2019
This week on End Credits we send in the clowns. Or rather one clown. This week we’re going to try and get past the controversy and craziness and review the new movie, Joker. We’re also going to start our series dedicated to 1999, and look at a couple of new trailers released this week, and we’re going to talk about everyone’s favourite topic, copyright law! Continue reading “End Credits Show Notes for Wednesday October 9, 2019”
End Credits Show Notes for Wednesday October 2, 2019
This week on End Credits, we’re going to take it easy with a Netflix flick that’s a fake behind the scenes documentary of a fake TV show. That’s almost too meta to be allowed, but the movie’s funny, so we’ll allow it. We’re reviewing Between Two Ferns: The Movie, and talking about clowns, friends, space wars, and the human stars of dinosaur movies. Continue reading “End Credits Show Notes for Wednesday October 2, 2019”
End Credits Show Notes for Wednesday September 25, 2019
This week on End Credits we’re going all the way to Neptune, so pack a lunch! Actually, we’re just going to the movies to watch Ad Astra, which is set, in part, around Neptune. Speaking of space cases, we’ll talk about the hiring practices of SNL and the Crazy Rich Asians sequel, plus a startling glimpse at an alternative present, and why the world apparently needs remakes! Continue reading “End Credits Show Notes for Wednesday September 25, 2019”


