This week on End Credits, we pick up another “For Your Consideration” entry for the annual awards race, and another hit in Netflix’s quest for total Hollywood hegemony. We’re reviewing Marriage Story, and we’re also talking about the real life struggles of one working actor, plus new trailers, the Snyder Cut, and when a TV show is the best movie of the decade. Continue reading “End Credits Show Notes for Wednesday December 11, 2019”
End Credits Show Notes for Wednesday December 4, 2019
This week on End Credits, we tuck in for Knives Out. There’s been a lot of anticipation for this new mystery movie, and we certainly can’t wait to tell you about it! We’ll also talk about the future of movie theatres in the U.S. and Canada, the deal with the Decade of the Fan, and whether we understand the career of a two-time Oscar-winning actor like we think we do. Continue reading “End Credits Show Notes for Wednesday December 4, 2019”
End Credits Show Notes for Wednesday November 27, 2019
This week on End Credits, hold on your butts. No, seriously, because it’s going to be numb by the end of the three-and-a-half hour running timing of this week’s movie, The Irishman. We’ll talk about that epic mob drama, and we’ll wrap up the Best of the Decade series with a double dose! Continue reading “End Credits Show Notes for Wednesday November 27, 2019”
The Complete List of Top 5s from 1999
During our November episodes, the End Credits gang revealed their Top 5 of 1999, a year that changed movies with a large number of new, unique and challenging films. It was a bumper crop that year with something for everyone, and if there’s a testament to that fact it’s the veritable potpourri that is the varies lists for our Best of ’99 series. Continue reading “The Complete List of Top 5s from 1999”
End Credits Show Notes for Wednesday November 20, 2019
This week on End Credits, things are going to get dark. But Christmas is coming, you say! Pfft. Tell that to all these horror trailers, and upcoming scary movies, and also tell it to Bong Joon Ho. We’re going to review the movie that won Cannes, and now the art house, and we’re going to look at new trailers, a PG-13 rated horror, and Peter’s Best of the Decade! Continue reading “End Credits Show Notes for Wednesday November 20, 2019”
End Credits Show Notes for Wednesday November 13, 2019
This week on End Credits we get into a holiday mood. Our review is the perhaps too early release of Last Christmas, a rom-com based on a George Michael song about death and stuff. Speaking of death, it’s no longer a barrier to casting, and at least one person is willing to call for an end to Disney. Plus, the best of the decade continues… Continue reading “End Credits Show Notes for Wednesday November 13, 2019”
End Credits Show Notes for Wednesday November 6, 2019
This week on End Credits, things are getting unsettling. We’re going to review the new film The Lighthouse, and talk about why it disturbs us deeply. Before that though, we’re going to wrap up out Best of 1999 series, and kick off a new series chronicling the very best of the past decade. So drink up me hearties, yo-ho!
Continue reading “End Credits Show Notes for Wednesday November 6, 2019”
End Credits Show Notes for Wednesday October 30, 2019
This week on End Credits, we dig into a bit of Hollywood history, and a bit of Hollywood’s future. We’re reviewing the true life tale of Dolemite is My Name, and looking once more at the best movies of 1999. We’re also going to ask if Hollywood is getting a bit too comfortable with certain box office conditions, and we’ll get into the latest twists around the Marvel question. Continue reading “End Credits Show Notes for Wednesday October 30, 2019”
End Credits Show Notes for Wednesday October 23, 2019
This week on End Credits, we catch up with some old friends: Columbus, Tallahassee, Wichita, and Little Rock. No, we’re not planning a road trip, we’re reviewing the Zombieland sequel. We’re also going to talk about the new upcoming Matrix movie, some new trailers, and we’ll hear from our next panelist on their Top 5 of 1999! Continue reading “End Credits Show Notes for Wednesday October 23, 2019”
End Credits Show Notes for Wednesday October 16, 2019
This week on End Credits, two is better than one. Why have just one Will Smith, when you can have two, and that’s pretty much the entire point of Gemini Man, which is this week’s review. We’re also going to talk about why everyone’s hating on the MCU, why there might be more Joker in the future, and we’ll talk about Peter’s Top 5 from 1999. Continue reading “End Credits Show Notes for Wednesday October 16, 2019”


